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‘Paranormal Activity 3′ makes $54 million at box office this weekend, biggest debut ever for horror movie

Monday, October 24th, 2011

LOS ANGELES — “Paranormal Activity 3″ didn’t just go bump in the night. It made a ton of noise at the box office with a record-setting, $54 million opening. The third film in Paramount Pictures’ low-budget fright franchise, which was No. 1 at the box office, had the biggest debut ever for a horror movie, according to Sunday studio estimates. It broke the previous record part two set a year ago with $40.7 million. It’s also the biggest opening ever for an October release, topping the $50.35 million Paramount’s “Jackass 3D” made last year. “Paranormal Activity 3″ is actually a prequel, with the discovery of disturbing home-movie footage from 1988. Henry Joost and Ariel Schulman, who made the creepy documentary “Catfish,” took over directing duties this time. Don Harris, Paramount’s president of distribution, said the studio hoped part three would simply perform better than part two. The first “Paranormal Activity,” with its reported $15,000 budget, became a phenomenon in 2009 through midnight screenings and word of mouth.

 

Harris believes this installment did so well because it’s actually the best movie of the three. He noted that it appealed to an older crowd, with 47 percent over the age of 25 compared to 40 percent for “Paranormal Activity 2.” Strong reviews also helped, he said, including a rave from Time magazine. And fundamentally, horror movies simply play better in a packed theater. “Ultimately, it gets back to why there’s still a theatrical business, why people still go to the movies,” Harris said. “We want to laugh in a group, we want to be scared in a group, people like to cry in a group in the dark where nobody can see them crying. It’s all the reason movie theaters exist and this genre has always been front and center.”

“This brand is as solid as the `Twilight’ brand or the `Jackass’ brand. There are certain brands that just transcend any kind of box-office rhyme or reason. They just resonate,” Dergarabedian said. “These are shot in someone’s house, they look like they’re shot with a home video recorder, and people just relate to it.” Last week’s No. 1 release, the futuristic boxing robot adventure “Real Steel,” fell to second place. It made $11.3 million for a domestic total of $67.2 million. Worldwide, the Disney movie has grossed $153.3 million. Among the other new releases this week, Summit Entertainment’s 3-D version of “The Three Musketeers” came in fourth place with $8.8 million. And Universal’s “Johnny English Reborn,” a sequel to the 2003 spy parody starring Rowan Atkinson, opened at No. 8 with $3.8 million. But it’s already a huge hit internationally, having made $104.5 million so far.

 

In limited release, the critically acclaimed psychological thriller “Martha Marcy May Marlene” made $137,541 on four screens in New York and Los Angeles.

1. “Paranormal Activity 3,” $54 million.

 

2. “Real Steel,” $11.3 million.

 

3. “Footloose,” $10.85 million.

 

4. “The Three Musketeers,” $8.8 million.

 

5. “The Ides of March,” $4.9 million.

 

6. “Dolphin Tale,” $4.2 million.

 

7. “Moneyball,” $4.05 million.

 

8. “Johnny English Reborn,” $3.8 million. ($13.5 million international.)

 

9. “The Thing,” $3.1 million.

 

10. “50/50,” $2.8 million.

 

 

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Rango makes 39 Million at the Box Office this Weekend

Monday, March 7th, 2011

Kids Movies are always going to dominate when they come out. Your children are always going to get their way when choosing which movie to see, Rango happens to be the only kids movie out at the moment and it benefited from no competition. The movie cost $135 million to produce and marked the first animated feature ever designed entirely by the visual-effects house Industrial Light & Magic.

Despite stellar reviews, “Rango” garnered a dispiriting “C+” grade from CinemaScore audiences. Adults, in particular, didn’t enjoy the ride, with those 25 and up rating the movie a “C.” That’s rather odd since the PG-rated movie was stuffed with cinematic references and the kind of offbeat humor best appreciated by grownups.

In second was the romantic sci-fi thriller “The Adjustment Bureau,” which collected $20.9 million. The Universal release gave Matt Damon his best leading-man opening since 2007′s “The Bourne Ultimatum,” while costar Emily Blunt, who also voices Juliet in “Gnomeo & Juliet,” now has two movies in the top five.

“Bureau” skewed older, with 73 percent of its audience at least 30 years old, and CinemaScore moviegoers gave the PG-13 film a “B” grade.

The fantasy romance “Beastly” snared third place with $10.1 million. While by no means a stupendous gross, the result is nonetheless a minor victory for CBS Films.

The distributor produced the PG-13 film for $17 million and then marketed it almost exclusively to teenage girls. The target audience took the bait, as 78 percent of the audience was female and 47 percent was under the age of 18. The film, a modern-day reinterpretation of Beauty and the Beast starring Vanessa Hudgens and Alex Pettyfer, received a “B+” from CinemaScore participants.

The week’s other new release, the ’80s-set comedy “Take Me Home Tonight,” let down Eddie Money fans everywhere. The R-rated film, which was shot way back in 2007, earned just $3.5 million from 2,003 locations — enough for an 11th-place finish.

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True Grit tops the Box Office Movie charts

Monday, January 10th, 2011

Nobody it seems is going to the Movies anymore as it is a complete waste of money now as ticket prices are ridiculous. Most movie goers now stay home and watch netflix or cable movies and save there money like I do.

The overall box office dropped 30 percent from last weekend to gross an estimated $112 million. It could be the worst first weekend of January since 2000. In its third week of release, the remake of True Grit won the weekend with $15 million a decline of 39 percent. The Western also became the Coen brothers’ first film to reach $100 million, with its cumulative tally now standing at $110.4 million. True Grit galloped past Butch Cassidy and the Sundance Kid to become the fifth-highest grossing Western ever, behind Dances with Wolves, City Slickers, Blazing Saddles, and Wild Wild West. But top grossing film records don’t mean anything anymore as the rising ticket prices are the only reason they are top grossing.

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Vampires Suck Official Movie Trailer

Monday, July 26th, 2010

Vampires Suck ‘ – Official Movie Trailer 2010 HD

Release Date: August 18, 2010

Studio: 20th Century Fox

Director: Jason Friedberg, Aaron Seltzer

Screenwriter: Jason Friedberg, Aaron Seltzer

Starring: Ken Jeong

Genre: Comedy

MPAA Rating: PG-13 (for crude sexual content, comic violence, language and teen partying)

Official Website: VampiresSuckmovie.com

Plot Summary: “Vampires Suck” is a comedy about contemporary teen angst and romance movies. Becca, an anxious, non-vampire teen, is torn between two boys. Before she can choose, Becca must get around her controlling father, who embarrasses Becca by treating her like a child. Meanwhile, Becca’s friends contend with their own romantic issues — all of which collide at the prom.

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Inception earned the most money at the box office this past weekend

Sunday, July 25th, 2010

Inception earned the most money at the box office this past weekend. The Christopher Nolan-Leonardo DiCaprio dreamscape stayed atop the weekend box office with an estimated $43.5 million.

inception_movie_poster http://celebritynewsbuzz.com

Salt settled for second, with a gross that was good—but was it good enough?

Salt earned $36.5 million, on the higher end of expectations. The action flick’s debut was bigger than recent star movies from Tom Cruise (Knight and Day) and Matt Damon (The Green Zone), and about even with Russell Crowe’s Robin Hood.

But with a budget reputedly north of $100 million, Salt still has a lot of catching up to do. And box-office watchers still have a lot of waiting to do. There are no reported overseas grosses yet. The film only opened in a few countries (and did well).

The jury, meanwhile, is not out on Inception.

After two weekends, it’s made $143 million domestically—a Dark Knight-like number for a film that’s not based on a comic book (or a video game, or a Utah mom’s vampire dream, or…), and not charging 3D prices.

Here’s a complete look at the weekend’s top-grossing films, per Friday-Sunday estimates compiled by Exhibitor Relations:

Inception, $43.5 million

Salt, $36.5 million

Despicable Me, $24.1 million

The Sorcerer’s Apprentice, $9.7 million

Toy Story 3, $9 million

Ramona and Beezus, $8 million

Grown Ups, $7.6 million

The Twilight Saga: Eclipse, $7 million

The Last Airbender, $4.2 million

Predators, $2.9 million

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